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BeginnerClassical

Can-Can (Infernal Galop)

Jacques Offenbach (1858)

🎵 C Major⏱ 130 BPM🎼 29 notes

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How to play it on winds

🎷 On the saxophone, every note below uses its real fingering — press the B/A/G + F/E/D keys in combination, and hold the 8va key for the upper register.

🪈 On the flute, the melody sounds one octave higher than written — the same shapes you already know, with the breath mark (◌) for the upper octave.

Learn it in phrases

  1. C5 → C5 → C5 → B4 → A4 → G4 → G4 → G4 → A4 → A4 → A4 → B4
    🎷 Sax fingeringC5: ○ ● ○ · ○ ○ ○ +8vaC5: ○ ● ○ · ○ ○ ○ +8vaC5: ○ ● ○ · ○ ○ ○ +8vaB4: ● ○ ○ · ○ ○ ○A4: ● ● ○ · ○ ○ ○G4: ● ● ● · ○ ○ ○G4: ● ● ● · ○ ○ ○G4: ● ● ● · ○ ○ ○A4: ● ● ○ · ○ ○ ○A4: ● ● ○ · ○ ○ ○A4: ● ● ○ · ○ ○ ○B4: ● ○ ○ · ○ ○ ○
    🪈 Flute fingering (sounds 8va up)C5: T ● ● ○ ● ○ ○ PC5: T ● ● ○ ● ○ ○ PC5: T ● ● ○ ● ○ ○ PB5: T ● ○ ○ ○ ○ ○ ·A5: T ● ● ○ ○ ○ ○ ·G5: T ● ● ● ○ ○ ○ PG5: T ● ● ● ○ ○ ○ PG5: T ● ● ● ○ ○ ○ PA5: T ● ● ○ ○ ○ ○ ·A5: T ● ● ○ ○ ○ ○ ·A5: T ● ● ○ ○ ○ ○ ·B5: T ● ○ ○ ○ ○ ○ ·
    💨 Breathe at the end of each phrase — never in the middle of a held note.
  2. C5 → G4 → E4 → G4 → C5 → C5 → C5 → B4 → A4 → G4 → G4 → G4
    🎷 Sax fingeringC5: ○ ● ○ · ○ ○ ○ +8vaG4: ● ● ● · ○ ○ ○E4: ● ● ● · ○ ○ ○G4: ● ● ● · ○ ○ ○C5: ○ ● ○ · ○ ○ ○ +8vaC5: ○ ● ○ · ○ ○ ○ +8vaC5: ○ ● ○ · ○ ○ ○ +8vaB4: ● ○ ○ · ○ ○ ○A4: ● ● ○ · ○ ○ ○G4: ● ● ● · ○ ○ ○G4: ● ● ● · ○ ○ ○G4: ● ● ● · ○ ○ ○
    🪈 Flute fingering (sounds 8va up)C5: T ● ● ○ ● ○ ○ PG5: T ● ● ● ○ ○ ○ PE5: T ● ● ● ● ● ○ ·G5: T ● ● ● ○ ○ ○ PC5: T ● ● ○ ● ○ ○ PC5: T ● ● ○ ● ○ ○ PC5: T ● ● ○ ● ○ ○ PB5: T ● ○ ○ ○ ○ ○ ·A5: T ● ● ○ ○ ○ ○ ·G5: T ● ● ● ○ ○ ○ PG5: T ● ● ● ○ ○ ○ PG5: T ● ● ● ○ ○ ○ P
    💨 Breathe at the end of each phrase — never in the middle of a held note.
  3. D5 → D5 → B4 → B4 → C5
    🎷 Sax fingeringD5: ● ● ● · ● ● ○ +8vaD5: ● ● ● · ● ● ○ +8vaB4: ● ○ ○ · ○ ○ ○B4: ● ○ ○ · ○ ○ ○C5: ○ ● ○ · ○ ○ ○ +8va
    🪈 Flute fingering (sounds 8va up)D5: T ● ● ● ● ● ● PD5: T ● ● ● ● ● ● PB5: T ● ○ ○ ○ ○ ○ ·B5: T ● ○ ○ ○ ○ ○ ·C5: T ● ● ○ ● ○ ○ P
    💨 Breathe at the end of each phrase — never in the middle of a held note.
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